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Manifesto

24 Feb 2018 - 15 Jul 2018

  • Julian Rosefeldt, 'Manifesto', 2015, 13-channel film installation (stills). Courtesy the artist.
  • Julian Rosefeldt, Manifesto, 2015 © Julian Rosefeldt and VG Bild-Kunst, Bonn 2017
  • Julian Rosefeldt, Manifesto, 2015 © Julian Rosefeldt and VG Bild-Kunst, Bonn 2017
  • Julian Rosefeldt, Manifesto, 2015 © Julian Rosefeldt and VG Bild-Kunst, Bonn 2017
  • Julian Rosefeldt, Manifesto, 2015 © Julian Rosefeldt and VG Bild-Kunst, Bonn 2017
When

Saturday 24 February 2018, 10.00am - Sunday 15 July 2018, 5.00pm


Open daily 10am-5pm

Where

Auckland Art Gallery Toi o Tāmaki, cnr of Kitchener and Wellesley Streets, Auckland CBD

Show map

Cost
  • Early bird $12.50
  • General admission $15
  • Concession $12.50
  • Auckland Art Gallery Members free
  • Children 12 and under free
Bookings

aaf.co.nz

Contact

hello@aucklandartgallery.com

09 307 7700

Website

aucklandartgallery.com/whats-on/exhibition/manifesto

facebook.com/aucklandartgallery

twitter.com/auckartgal

instagram.com/aucklandartgallery

Auckland Art Gallery in collaboration with Auckland Arts Festival presents the New Zealand premiere of Julian Rosefeldt’s immersive 13-channel film installation Manifesto, featuring Cate Blanchett.

In Manifesto (2015), Rosefeldt pays homage to the tradition of artist manifestos, drawing on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups.

Performing this ‘manifesto of manifestos’ as a contemporary call to action while inhabiting thirteen different personas – among them a school teacher, a puppeteer, a newsreader, a factory worker and a homeless man – Australian actress Cate Blanchett imbues new dramatic life into both famous and lesser known words in unexpected contexts.

Rosefeldt’s work reveals both the performative component and the political significance of these declarations. Often written in youthful rage, they not only express the wish to change the world through art but also reflect the voice of a generation.

Exploring the powerful urgency of these historical statements, which were composed with passion and conviction by artists many years ago, Manifesto questions whether the words and sentiments have withstood the passage of time.

Can they be applied universally? And how have the dynamics between politics, art and life shifted?

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