In Our Spring Garden

Where

Homestead Galleries, 2 Mt Lebanon Lane, Henderson 0612

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When

Sunday 5 May 2024
Monday 6 May 2024
Tuesday 7 May 2024
Wednesday 8 May 2024
Thursday 9 May 2024
Friday 10 May 2024
Saturday 11 May 2024
Sunday 12 May 2024
Monday 13 May 2024
Tuesday 14 May 2024
Wednesday 15 May 2024
Thursday 16 May 2024
Friday 17 May 2024
Saturday 18 May 2024
Sunday 19 May 2024
Monday 20 May 2024
Tuesday 21 May 2024
Wednesday 22 May 2024
Thursday 23 May 2024
Friday 24 May 2024
Saturday 25 May 2024
Sunday 26 May 2024
Monday 27 May 2024
Tuesday 28 May 2024
Wednesday 29 May 2024
Thursday 30 May 2024
Friday 31 May 2024
Saturday 1 June 2024
Sunday 2 June 2024
Monday 3 June 2024
Tuesday 4 June 2024
Wednesday 5 June 2024
Thursday 6 June 2024
Friday 7 June 2024
Saturday 8 June 2024
Sunday 9 June 2024
Monday 10 June 2024
Tuesday 11 June 2024
Wednesday 12 June 2024
Thursday 13 June 2024
Friday 14 June 2024
Saturday 15 June 2024
Sunday 16 June 2024
Monday 17 June 2024
Tuesday 18 June 2024
Wednesday 19 June 2024
Thursday 20 June 2024
Friday 21 June 2024
Saturday 22 June 2024
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10am-4pm


Cost

Free
Kawakawa.jpg.1920x1380_q80_crop-smart_upscale_uqpuezzb.jpg
Image: Kawakawa (2024) by Samson Dell.

The Exhibition In our spring garden by photographer Samson Dell will be available for all to view from the 3rd of May 2024 until the 22nd of June 2024 in the Homestead Galleries which are located at Corban Estate Arts Centre.

The exhibition opening will be held on the 3rd of May 2024 from 6pm to 8pm and then it will be free for all to view from 10am to 4pm Monday to Friday until its last day on the 22nd of June 2024. 

In our spring garden explores the complexities of representing queer gendered experiences outside of binary frameworks. Photographer Samson Dell reflects on the challenges of capturing the fluidity of their collaborators’ identities in static images, emphasising the constant state of transition and renegotiation. The focus shifts to community, relationships, and self-identity within a queer context, moving away from stereotypical depictions. This exhibition celebrates the rhythm of queer communities, navigating visibility and invisibility, and preserving the ebb and flow amidst changing external perspectives on queerness.

The concept of the “queer elsewhere”, as posited by Bragg (2021), and the cyclical nature of gardens serve as frameworks for this exhibition, creating spaces for diverse queer existences without the need for rigid definitions. The “queer elsewhere” encapsulates a contemporary space for queer existence that operates outside mainstream norms and offers a sense of safety and recognition. It provides a departure from traditional societal expectations, allowing queer people to navigate their identities subtly yet authentically. This elsewhere becomes a refuge where the complexities of queer life can be explored without conforming to rigid definitions, fostering a sense of belonging and freedom.

Likewise, the cyclical nature of gardens serves as a metaphor for the ebb and flow of queer communities. Gardens, with their continuous cycles of growth, blossoming, and decomposition, mirror the lifecycles and transformations within queer subcultures. The cyclical pattern symbolises resilience and adaptation, acknowledging the ever-changing landscape of queer existence. In celebrating this cyclical nature, Samson dignifies and preserves the diverse experiences within the queer community. The garden becomes a symbolic space where queer identities flourish and endure.

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