The Essentials Of Being A Native

Where

Homestead Galleries , 2 Mt Lebanon Lane, Henderson 0612

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When

Wednesday 22 May 2024
Thursday 23 May 2024
Friday 24 May 2024
Saturday 25 May 2024
Sunday 26 May 2024
Monday 27 May 2024
Tuesday 28 May 2024
Wednesday 29 May 2024
Thursday 30 May 2024
Friday 31 May 2024
Saturday 1 June 2024
Sunday 2 June 2024
Monday 3 June 2024
Tuesday 4 June 2024
Wednesday 5 June 2024
Thursday 6 June 2024
Friday 7 June 2024
Saturday 8 June 2024
Sunday 9 June 2024
Monday 10 June 2024
Tuesday 11 June 2024
Wednesday 12 June 2024
Thursday 13 June 2024
Friday 14 June 2024
Saturday 15 June 2024
Sunday 16 June 2024
Monday 17 June 2024
Tuesday 18 June 2024
Wednesday 19 June 2024
Thursday 20 June 2024
Friday 21 June 2024
Saturday 22 June 2024
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10am-4pm


Cost

Free
native_habitat_still.jpg.1920x1380_q80_crop-smart_upscale_blljmf53.jpg
Image: native habitat (vignettes) (2023) by Matt Tini.

The exhibition The essentials of being native by artist Matt Tini, will be available for all to view from the 3rd of May 2024 until the 22nd of June 2024 in the homestead galleries located at Corban Estate Arts Centre.

The opening of this exhibition will be held on the 3rd of May 2024 from 6pm to 8pm and then it will be open for all to view from 10am to 4pm Monday to Friday until its last day on the 22nd of June 2024. 

In the exploration of colonial influences on the representation of Indigenous peoples, Matt Tini, through a series of photography and moving image works, scrutinises the colonial gaze directed at Tangata Whenua and other Indigenous communities. By reclaiming and disrupting the visual codes that have homogenised and essentialised Indigenous identities, Matt challenges limiting paradigms upheld by both colonisers and the colonised.

As Tangata Whenua, Matt negotiates the impact of the colonial gaze, which has historically objectified and constrained the Indigenous body within rigid paradigms of authenticity. Matt’s work aims to dismantle these notions, advocating for cultural agency through self-determination. Referencing New Zealand European art history and its colonially informed tropes, Matt disrupts stereotypes and challenges the expectations of authenticity imposed on Indigenous identities.

With provocative playfulness, Matt embraces the consciousness of Trickster to challenge viewer’s perceptions of the Indigenous body, identity, and experience. Unserious yet earnest, the essentials of being a native manipulates the visual language of colonisers, engaging with colonial fantasies while breaking them open.

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